Art by Niki Hilsabeck

"Harbor Alley" 14 x22 Mixed Media on Paper Click here to purchase or view large This piece took a while, as it was a bit of an experiment but turned into quite an exercise. We've had some great weather over the summer down at Oceanside Harbor, so I've been wanting to capture some of those bright days in my artwork.  I started with a palette knife painting using blue acrylic and gesso, laying in the values and basic composition before I broke out the chalk. I ended up layering chalk over acrylic, then more paint over the chalk again to bring back some of those deep blues and bright whites.  The goal of the painting was not to show what the actual boats looked like, but the patterns of horizontal and vertical shapes highlighted by the bright sun and set against the darker water. In the spirit of summer and great beach weather, I also did a pastel painting of my daughter as she looked last year: "Little Chunky Thighs on the Beach" 9 x 12 Chalk p

"Pangaea" 14 x 18 in. Acrylic and oil pastel on flat canvas Click here to purchase (or see large) Some months back, I began a painting with acrylic (using a palette knife) on some flat canvas.  I blocked in the large forms and basic lights and darks with the knife, and liked the simplicity of the first stage. I tried some chalk pastel over the acrylic, to highlight the thick textures and brighten the piece.  I had put a great deal of yellow chalk over the paint, liking the brightness but unsure that it felt right. Then I got sick.  Brutally, miserably sick with nausea for a couple of months.  Every time I looked at the painting, I didn't like the color choices I had made (all that yellow began to take on a sickly feel with the green and purple).  Finally, I put it away, because looking at it reminded me of how sick I had gotten when I was in the middle of working on it. I didn't forget about it though.  I knew it had started off strong, and that it just ne

"How 'bout a Hug" 9 x 12 Chalk pastel on paper Click here to purchase Caught these two turtles in a cute moment at the duck pond in Temecula... Not feeling well really puts a damper on the creative process!  I painted this piece mostly in one session, then had a rough few days where I didn't feel well enough to finish it up.  It's easy to start panicking when periods of time like that set in, but I've learned a trick as I've gotten older and more patient: even baby steps will eventually get you where you need to go. If I felt good enough to sit up and work, I added a little touch here and there to get the piece done: a bit of shading on the shell, more depth in the water, or light smears on the rock.  Having been used to completing five or more paintings a week, finishing just one doesn't sound like much.  It's better than not painting at all, or trying to push out a lot of paintings that end up in the failure pile.  I try to remember tha